American Documentary, Inc. (
Since 1994, POV Spark has driven new storytelling initiatives and interactive production for POV. The department has continually experimented with web-based documentaries, producing PBS’ first program website and the first Snapchat-native documentary. It has won major awards for its work, including a Webby Award and over 19 nominations. Now with a singular focus on incubating and distributing interactive productions, POV Spark continues to explore the future of independent nonfiction media through its co-productions, acquisitions and the POV Labs, where media makers and technologists collaborate to reinvent storytelling forms.
Director: Zaradasht Ahmed; Producer: Mette Cheng Munthe-Kaas; Co-Producers: Diana Holtzberg, Hans Husum, Stina Gardell; Cinematographer: Zaradasht Ahmed; Camera: Nori Sharif; Editor: Eva Hillström; Executive Producers for POV: Justine Nagan, Chris White
Produced by American Documentary, Inc., POV is public television’s premier showcase for nonfiction films. Since 1988, POV has been the home for the world’s boldest contemporary filmmakers, celebrating intriguing personal stories that spark conversation and inspire action. Always an innovator, POV discovers fresh new voices and creates interactive experiences that shine a light on social issues and elevate the art of storytelling. With our documentary broadcasts, original online programming and dynamic community engagement campaigns, we are committed to supporting films that capture the imagination and present diverse perspectives.
American Documentary, Inc. (AmDoc) is a multimedia company dedicated to creating, identifying and presenting contemporary stories that express opinions and perspectives rarely featured in mainstream media outlets. AmDoc is a catalyst for public culture, developing collaborative strategic engagement activities around socially relevant content on television, online and in community settings. These activities are designed to trigger action, from dialogue and feedback to educational opportunities and community participation.
POV Engage (
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Download the press release here.
POV’s Community Engagement and Education team works with educators, community organizations and PBS stations to present more than 800 free screenings every year. In addition, we distribute free discussion guides and standards-aligned lesson plans for each of our films. With our community partners, we inspire dialogue around the most important social issues of our time.
Nowhere to Hide has its national broadcast and streaming debut on the PBS documentary series POV and on Monday, August 27, 2018 at 10 p.m. (check local listings). POV is American television’s longest-running independent documentary series now in its 31st season.
Nowhere to Hide has its national broadcast and streaming debut on the PBS documentary series POV and on Monday, August 27, 2018 at 10 p.m. (check local listings). POV is American television’s longest-running independent documentary series now in its 31st season.
Major funding for POV is provided by PBS, The John D. and Catherine T. MacArthur Foundation, Corporation for Public Broadcasting, National Endowment for the Arts and the Wyncote Foundation. Additional funding comes from The John S. and James Knight Foundation, Nancy Blachman and David desJardins, Bertha Foundation, Reva & David Logan Foundation, Open Society Foundations, Chicago Media Project, Sage Foundation, Lefkofsky Family Foundation, The Academy of Motion Pictures Arts and Sciences, New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, Ann Tenenbaum and Thomas H. Lee and public television viewers. POV is presented by a consortium of public television stations, including KQED San Francisco, WGBH Boston and THIRTEEN in association with WNET.ORG.
POV films have won 37 Emmy® Awards, 21 George Foster Peabody Awards, 12 Alfred I. duPont-Columbia University Awards, three Academy Awards®, the first-ever George Polk Documentary Film Award and the Prix Italia. The POV series has been honored with a Special News & Documentary Emmy Award for Excellence in Television Documentary Filmmaking, three IDA Awards for Best Curated Series and the National Association of Latino Independent Producers Award for Corporate Commitment to Diversity. Learn more at
Ahmed notes that there is still some promise left: “In the end, as humans, the only thing that can help us survive is to believe that the will to build will always be stronger than the desire to destroy.” While shockingly devastating, the film is also an awe-inspiring reminder of human resilience and the tenacity of individuals in the face of war.
Nowhere to Hide puts viewers on the ground, and on the run. Through first-person narration, we are given the opportunity to follow Nori through his daily life and gain a firsthand look at one of the 20th century’s most momentous and controversial series of events. As American troops leave the country, space is made for a new war to develop. This new war, wholly different from the last, is without fronts, uniforms or common rules.
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The film’s 36-year-old protagonist, Nori, is a father of four and a nurse-turned-videographer. Nori began by filming survivors, documenting their hope for a better future as American and coalition troops retreat from Iraq in 2011. When conflict continues, however, thanks to the rise of Iraqi militias and ISIS, he turns the camera on himself. Much of the population and his fellow hospital staff make the decision to flee. Nori makes the unusual decision to stay. What results from this courageous choice is in-depth documentation of his life over several years in Diyala, one of Iraq’s most dangerous provinces.
Fifteen years after the US-led invasion of Iraq, the country continues to dominate the headlines with stories of sectarian violence, bombings, poverty and human displacement. In 2011, Kurdish-Norwegian filmmaker Zaradasht Ahmed returned to his birth country, heading into one of the world’s most dangerous areas, the “Triangle of Death” in central Iraq. As American troops withdrew, he followed nurse Nori Sharif and his family over five years as they navigated a war-torn country where a power vacuum left citizens vulnerable to a new, menacing force: ISIS.
With its potently immersive style, Nowhere to Hide highlights for viewers the immediacy of these events. Watching footage without talking heads or explanatory voiceovers, audiences become viscerally aware that the violence isn’t spontaneous. The viewer comes to understand that 15 years of near-statelessness, devastated infrastructure and diaspora, have led Nori and countless others to a dire situation.
“By sharing Nori’s personal journey we are able to glimpse the struggle and courage of those in war-torn Iraq,” said Justine Nagan, executive producer/executive director of POV/American Documentary. “A remarkably inventive and challenging war film that documents from the inside out, Nowhere to Hide transcends cultural boundaries and speaks to a deeper sense of shared humanity. For American audiences, Nori also provides a sober reminder of our collective responsibility in a country ravaged by outside forces.”

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