As usual, Natalie prefaced her reading with a poignant reflection that is itself nothing less than a prose poem about the nature of life and its responsibility to nature — that is, to itself:
The human soul.
The mind of man…
Slowly, perhaps, man may grow into it —
Do you think so? This villainous king of beasts, this deformed ape? — He has mind
And imagination, he might go far
And end in honor. The hawks are more heroic but man has a steeper mind,
Huge pits of darkness, high peaks of light,
You may calculate a comet’s orbit or the dive of a hawk, not a man’s mind.
[…]
Born into an era when the atom was still an exotic notion for the average person and molecules a mystifying abstraction, Jeffers drew richly on the fundamental realities of nature — in no small part because his brother, Hamilton Jeffers, was one of the era’s most esteemed astronomers, having gotten his start at the Lick Observatory — the world’s first real mountaintop observatory, where the first new moon of Jupiter since the Galilean four had been discovered months before Hamilton was born.

Robinson Jeffers by Edward Weston

“We forget that nature itself is one vast miracle transcending the reality of night and nothingness,” the anthropologist and philosopher of science Loren Eiseley wrote in his poetic meditation on life in 1960. “We forget that each one of us in his personal life repeats that miracle.”
Complement with other highlights from The Universe in Verse — including readings and reflections by Rebecca Solnit, Yo-Yo Ma, Patti Smith, and more — then savor Jeffers’s breathtaking letter to the principal of an all-girls Catholic school about moral beauty and the interconnectedness of the universe.

Jupiter and its then-four moons by the self-taught 17th-century astronomer and artist Maria Clara Eimmart

I think they were here already. I think the rocks
And the earth and the other planets, and the stars and galaxies
Have their various consciousness, all things are conscious;
But the nerves of an animal, the nerves and brain
Bring it to focus
Given this ephemeral existence that we have, of self-awareness, what are you going to do with your moment? What are we, as a species, going to do with our moment?
Jeffers was not only an exquisite literary artist, but a visionary who bent his sight and insight far past the horizon of his time — he wrote about climate change long before it was even a tremor of a worry in the common mind, even though he died months before Rachel Carson published her epoch-making Silent Spring, which awakened the human mind from its ecological somnolence and seeded the environmental movement. But although he is celebrated as one of the great environmental poets, he was as enchanted by the wonders of nature on Earth as beyond it, for he understood better than any artist since Whitman that these are parts of a single and awesome reality, and we are part of it too — not as spectators, not as explorers, but as living stardust.

The Beginning and the End: Robinson Jeffers’s Epic Poem About the Interwoven Mystery of Mind and Universe
In the same era, the science-inspired poet Robinson Jeffers (January 10, 1887–January 20, 1962) took up this reckoning in the final years of his life in an immense and ravishing poem that became the title of his collection The Beginning and the End (public library | free ebook), published the year after his death.
The unformed volcanic earth, a female thing,
Furiously following with the other planets
Their lord the sun: her body is molten metal pressed rigid
By its own mass; her beautiful skin, basalt and granite and the lighter elements,
Swam to the top. She was like a mare in her heat eyeing the stallion,
Screaming for life in the womb; her atmosphere
Was the breath of her passion: not the blithe air
Men breathe and live, but marsh-gas, ammonia, sulphured hydrogen,
Such poison as our remembering bodies return to
When they die and decay and the end of life
Meets its beginning. The sun heard her and stirred
Her thick air with fierce lightnings and flagellations
Of germinal power, building impossible molecules, amino-acids
And flashy unstable proteins: thence life was born,
Its nitrogen from ammonia, carbon from methane,
Water from the cloud and salts from the young seas,
It dribbled down into the primal ocean like a babe’s urine
Soaking the cloth: heavily built protein molecules
Chemically growing, bursting apart as the tensions
In the inordinate molecule become unbearable —
That is to say, growing and reproducing themselves, a virus
On the warm ocean.
The unformed volcanic earth, a female thing,
Furiously following with the other planets
Their lord the sun: her body is molten metal pressed rigid
By its own mass; her beautiful skin, basalt and granite and the lighter elements,
Swam to the top. She was like a mare in her heat eyeing the stallion,
Screaming for life in the womb; her atmosphere
Was the breath of her passion: not the blithe air
Men breathe and live, but marsh-gas, ammonia, sulphured hydrogen,
Such poison as our remembering bodies return to
When they die and decay and the end of life
Meets its beginning. The sun heard her and stirred
Her thick air with fierce lightnings and flagellations
Of germinal power, building impossible molecules, amino-acids
And flashy unstable proteins: thence life was born,
Its nitrogen from ammonia, carbon from methane,
Water from the cloud and salts from the young seas,
It dribbled down into the primal ocean like a babe’s urine
Soaking the cloth: heavily built protein molecules
Chemically growing, bursting apart as the tensions
In the inordinate molecule become unbearable —
That is to say, growing and reproducing themselves, a virus
On the warm ocean.
The unformed volcanic earth, a female thing,
Furiously following with the other planets
Their lord the sun: her body is molten metal pressed rigid
By its own mass; her beautiful skin, basalt and granite and the lighter elements,
Swam to the top. She was like a mare in her heat eyeing the stallion,
Screaming for life in the womb; her atmosphere
Was the breath of her passion: not the blithe air
Men breathe and live, but marsh-gas, ammonia, sulphured hydrogen,
Such poison as our remembering bodies return to
When they die and decay and the end of life
Meets its beginning. The sun heard her and stirred
Her thick air with fierce lightnings and flagellations
Of germinal power, building impossible molecules, amino-acids
And flashy unstable proteins: thence life was born,
Its nitrogen from ammonia, carbon from methane,
Water from the cloud and salts from the young seas,
It dribbled down into the primal ocean like a babe’s urine
Soaking the cloth: heavily built protein molecules
Chemically growing, bursting apart as the tensions
In the inordinate molecule become unbearable —
That is to say, growing and reproducing themselves, a virus
On the warm ocean.
Jeffers wrote about black holes and the Big Bang, about amino acids and novae, about the indivisibility of it all — nowhere more beautifully than in “The Beginning and the End.”

Yet, at the same time, we are, as life — as living things: ourselves, the redwoods, the birds overhead — we are the pinnacle of complexity in the universe, from the Big Bang until now. It took 13.7 billion years for the atoms to come together to form this portal of self-awareness that is you.

Similar Posts