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Urbania (2000)

I don't know where to begin. I truly don't. A film like "Urbania" only comes around so often. It is a ripe and delicious fruit with a zest full of bitter sting and tangy surprise. It is passionate, deeply touching, mind-blowing and unbelievable. It's a film that will sucker punch you throughout it's running with it's brilliance and it's ability to speak volumes - with a look, a gesture, a thought, a word.

Please - I beg of you. Don't read any further. Don't read up on the plot. Please know nothing more about it. Please don't allow yourself to fall into the trap. Don't spoil this film for yourself. Just see it.

See it.

See it.

See it.

See it.

See it.

See it.

If you have to wait for it to be released in your city or released on video. Then wait. File it in the back of your mind. At some point you will notice it playing at the local arthouse. Just go. Don't look at the poster. Don't read the synopsis in the paper. Tune out Ebert and whoever when they begin to talk about it. Don't read the reviews. Don't ready anymore here.

Don't allow yourself to be denied the wonderful and miraculous perfected rawness that is "Urbania." See it. Then send me an e-mail so we can talk endlessly about it. This is a film that will blow you away.

Dan Futterman plays the lead. He deserves every award that can be heaped upon him. Matthew Keeslar is perfect and precious here too. Everyone in the film is pitch perfect. The film soars in the hands of it's actors.

Director Jon Shear has worked with playwright Daniel Reitz to mold an amazing and breathtaking script from the latter's stage play "Urban Folk Tales." (Too bad the stupid teen horror flicks have almost ruined this idea). The direction and pacing and music and dialogue owe a bit to Hal Hartley. The appearance of Bill Sage in a minor role acknowledges this debt. But this film stands remarkably on it's own. It's ability to consistently astound and dumbfound is extraordinary. This is a film that should have accolade upon accolade draped upon it. It's about so much. It's so important. It's quite possibly the most important film of the year. It certainly the most impressive and incredible. I want everyone I know to see it so we can talk endlessly about it.

See it.

Really. That's it. See it. I refuse to spoil it. I've already said too much. "Urbania" is one of the finest motion pictures ever made. It falls somewhere between Peter Weir's remarkable "Fearless" and Gregg Araki's "The Doom Generation" on my list of the "10 Best and Most Important films of all time." A masterpiece in every sense of the word. And more... so much more...

Notes:

Also with Paige Turco, Allan Cumming, Samuel Ball, Josh Hamilton.

Music by Mark Anthony Thompson. Edited by Randolph K. Bricker and Ed Marx.

The film and Futterman have won several awards at numerous film festivals.

The film was to be distributed by Unapix but when they had to drop the piece due to financial constraints in late August, 2000, Lion's Gate stepped in and picked up the film, sticking to the original release date schedule.

 

Report Card

Script: A+

Acting:
A+

Cinematography\Lighting:
A+

Special Effects\Make Up: A+

Music:
A+

Final Grade: A+

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