Spy
Kids (2001)
"If you ask a bunch of kids, 'How
many of you can sing or dance or write an opera?' they'll
all raise their hands. But if you ask the same group
20 years later, maybe one person will raise their hand...
I want to the kid who grew up to be the guy who didn't
put his hand down." - Robert Rodriguez in Entertainment
Weekly
It takes a while but "Spy Kids" eventually
wins you over. Surely the films saving grace is the
titular kids, Alexa Vega and Daryl Sabara who have as
much charm and innocence as they do talent and chutzpa.
Sabara, in particular, is a marvel of young thespianism.
This kid seems to be, in the best sense of the idea,
oblivious to the camera, to acting and to the idea of
acting. He simply exists in the film, as if it were
all the most typical and mundane and expected action
happening about him. Not bored, or listless, but rather
a sense of verisimilitude that has not been seen in
child actors for a long, long time.
Robert Rodriguez, the Hispanic filmmaker
who caused such a buzz with his supposed $7,000 film
"El Mariachi" less than a decade ago, is the writer
and director here. Now calling Austin his home, Rodriguez
has crafted a spy film that owes as much to "Home Alone,"
and "Willy Wonka" as it does "Mission Impossible" and
"James Bond." In fact, if one wanted to be dismissive,
one could say that Rodriguez simply steals here, emulates,
rather than creates. And perhaps in many ways that might
not be too far off the mark. The film often falls victim
to stupid potty jokes for humor, usually falling quite
flat. It also utilizes a horrid score by Danny Elfman
that rips off every spy film score cliche in the book.
Rodriguez, likewise, steals easily out of John Woo handbook
and swipes cliff notes from "The Matrix." He also casts
rather drab Carla Gugino in the adult female lead here.
If you close your eyes when she talks, you will swear
it is Julia Roberts you are hearing. And then there
are the silly product placements peppered throughout
the film, the most notorious being a McDonald's hamburger
and fries.
Yes, one could easily take swipes at "Spy
Kids" all day long and perhaps be right. But the truth
of the matter is: The film is fun and compelling. Kids
will delight in it as much as adults do. The film's
tongue in cheek approach is often so subtle as to be
unnoticeable. And, again, little Alexa and Daryl will
win you over with ease. They have some hilarious lines
here. And there isn't a swear word in the film, unless
you count the exclamatory "Shitaki mushrooms."
Rodriguez pulls himself out of the fire
again and again. His CGI effects are not perfect but
one has to respect the man for doing so much on such
a small budget. The story is fairly trite and piecemeal
and yet it becomes sweet and heartfelt and exposes important
themes about family. And even the use of flaming homosexual
Alan Cumming as bad guy Floop (ala Rupert Everett in
"Inspector Gadget") works for Rodriguez when the character
takes a turn for the better towards the climax of the
film. Cumming, like the rest of the cast, seems to be
having a ball. Here, he creates a foppish Pee Wee Herman
caricature that would fit in easily both in "Chitty
Chitty Bang Bang" and "Teletubbies" (with a wardrobe
stolen from Tellulah Bankhead, perhaps).
"Spy Kids" is cool and goofy. Kids will
love the fantasyland look of Floop's world while adults
will get all these cinematic and pop culture subtexts
going on. And, again, the message of the film and of
Floop's character are wonderful morals about families
(ala "Mrs. Doubtfire") and do-gooding. It's nice to
have a message for kids to grasp on to even if it is
derivative.
And, alas, "Spy Kids" is the marketing
department's Sutter's Mill! There's numerous unique
characters for action figures, lots of action for video
games and lotsa kid's stuff for Happy Meals and coloring
books. The film is so obviously profitable and marketing
driven that Mirimax/Dimension even ordered a sequel
before this film hit the megaplexes. At least when Rodriguez
sells out, he still turns out decent product. He still
gives us bang for our buck. That $7,000 (yeah, right)
paid in the early 90's is paying off huge dividends
now. At least "Spy Kids" makes us feel like we got our
money's worth for our 7 bucks too.
Notes:
Rodriguez came up for the idea for "Spy
Kids" while shooting his segment of 1995's "Four Rooms"
which featured his young sibling characters dressed
for New Year's Eve. "I kept noticing how their little
tuxedos looked, how the kids looked like little secret
agents... (and I said,) 'This is a movie!'" Rodriguez
took his idea to Mirimax who greelit the project but
first wanted Rodriguez to make it's "hot" teen project,
"The Faculty."
Rodriguez has four young sons named Rocket,
Racer and Rebel. He and wife/producer Elizabeth Avellan
currently live in Austin, Texas.
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Report
Card
Script:
C-
Acting: B+
Cinematography\Lighting: B
Special Effects\Make Up:C-
Music: F
Final
Grade: C+
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