FILETHIRTEEN.COM Lodgers Favorite Film Makers Notes from Austin Links Film Maker Interviews Events Coverage Reviews Whipping Post Calendar of Events
icon
 

Saving Private Ryan (1998)

"Saving Private Ryan" is a rawk show! Definitely the best film I've seen this year. It will win a lot of Academy Awards, trust me. When they storm the beach at Normandy in the beginning of the film, it is like you are there. I kept thinking of that line from "Patton" where he talks about when you "stick your hand in a pile of goo that used to be your best friend's face..." that's what a lot of this film is like. The battle sequences are just like what war must have really been like in that time. The combat segments are the most realistic scenes of WWII action you will ever see in a movie. Period. It's awesome. (I couldn't also help from thinking that Sam Fuller would love this movie!)

And the acting in the film is top fucking notch! Tom Hanks is Oscar bound again. He continues on his path to be the finest screen actor we will ever see in our lifetimes. His character here blows us away and he's the kind of guy we would all pray to have as a leader if we were in war. It's remarkable. Edward Burns, Giovanni Ribisi, Matt Damon... they are all awesome in their roles. I don't think it could get much better than this. There is one character in the piece that fails. He lets his fellow soldiers down. There are deaths because of his cowardice. It's frighteningly realistic. We pray that we would not be so crippled by fear during the intense moments of battle. We hope that we would somehow muster up the courage to act. But how can we be sure? We don't hate this character. We pity him.

Spielberg does a fantastic job and this might be his finest film ever... Yes, even better than "Schindler's List" or "E.T." His camera swoops along with the action in documentary fashion with most of the shots taken with the camera low to the ground. He never ever lets the tension of the war evaporate. Even in the quietist moments, we can feel the battle going on in the background... in our subconscious. And the film is filled with some many wonderful little moments that the whole scope of the film is impossible to encompass in written dissertations or verbal communication. The moments where the soldiers talk, about home, about life, about their unspoken uncertainty. It's riveting. The little stories they tell, the moments they share, make us feel like we know them. This is all the more troubling and affecting when their climactic moments come. The film never ceases to involve us, whether in battle or dealing with human emotions and frailties. A particularly odd and poignant scene comes when Adam Goldberg, as a soldier, taunts a defeated group of German soldiers as they are marched by him. He does this by holding a Star of David Medallion out toward them and shouting in German that he is a "Yuden," a Jew. It's small moments like these, a pixel in the big picture that Spielberg presents here, that make the piece as a whole so effective.

Spielberg bookends the film with a present day setting that is a little hokey and cinematic, but it doesn't matter. The meat of the film is simply awesome. With the closing scene, we are forced to remember all that these men who fought in the war did for us. All that they sacrificed. They were our fathers and grandfathers, our Uncles and brothers and sons and neighbors. Thanks to Spielberg and this remarkable film, we are reminded of all that was given so that we could be free, so that we and others would not be persecuted. Even in today's troubling and confusing times that still means something. It may mean everything.

When Hanks tells Private Ryan to "earn this," to earn all that we as people have recieved by the courage and the bravery and the lives of soldiers, he is reminding us we all must earn this. Everyday in every way.

Note:

Also with Tom Sizemore, Jeremy Davies, Vin Diesel, Dennis Farina, Ted Danson, Barry Pepper and Harve Presnell.

Script by Robert Rodat; Also by Frank Darabont and Scott Frank (both uncredited). Cinematography by Janusz Kaminski. Score by John Williams. Edith Piaf's music is played and interpreted. Spielberg also acts as a producer.

Spielberg thought of casting Damon after seeing him in "Courage Under Fire" but thought him too skinny. Robin Williams brought the director to the set of "Good Will Hunting" and changed his mind.

The filming switched from the UK to Ireland after the British Ministry of Defense reneged on providing soldiers to act as extras in the film. Filmed also in England and France.

Many of the actors in the film have directed their own movies, most notably Burns, but also Hanks, Goldberg and Diesel.

Ribisi appeared in Hank's "That Thing You Do" and Goldberg's "Scotch and Milk." Goldberg and Ribisi also appeared in TV's "Friends."

Note: Review written in 1998

Report Card

Script: A+

Acting:
A+

Cinematography\Lighting:
A+

Special Effects\Make Up:
A+

Music:
A+

Final Grade: A+

Get Your "Saving Private Ryan " Stuff:

DVD

VHS

SOUNDTRACK

BOOK

Check Out filethirteen's POSTER store!


More of Lodger's reviews indexed alphabetically! Just click your favorite letter to go there.

a b c d e f g h i j k l m n o p q r s t u v w x y z

HOME


In Association with:

icon

Posters From!

Please Visit icon

All contents of www.filethirteen.com are the property of the webmaster and the author of filethirteen.com and cannot be reproduced, copied, distributed, quoted or in any other way used without our written consent. For more details please e-mail us at  lodger@filethirteen.com  Links to the site are appreciated and do not require permission. Informing us of your link to our site may result in gratitude and heartfelt thanks.