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Set in 1978 and harkening back to that simpler
time, "Roll Bounce" is a film that recalls several
movies from that era, including "Xanadu," "Roller
Boogie," and, most importantly for me, "Thank
God it's Friday." The set-up is the standard
"underdog" story that has permeated teenage
sports films as well as those that deal with
dancing, ice skating, roller skating and the
like for years now.
The difference here is that this is a primarily
African- American teenager's story. This is
the only thing new here. The focus is primarily
on X as played by Bow Wow (nee Little) a young
teen whose mother has recently died (yawn) and
whose father is loving but distant. There's
been great hoopla about the relationship between
an African America father and son in this film
and I can tell you that it is exactly that:
Hoopla. There's not only nothing new here, there's
nothing that isn't standard and typical. The
"climactic" scene with this storyline, where
Bow Wow takes a baseball bat to his father's
car while the father apologizes profusely is
not only absurd but also has the distinction
of having absolutely nothing prior to this scene
in the film which helps to build toward it.
This scene comes out of nowhere and the character
of X is completely unjustified (via the screenplay
anyway) in his actions. His father should smack
his ass. Instead he apologizes. What? No wonder
African-American familial relationships are
so fucked up if this is what is being pointed
to as an example of rightness.
The film has little fun with its retro
setting, opting for supposed verisimilitude
instead. The numerous big butts on black girls
being exposed to the teenage boys over and over
is a perfect example of how this film rings
false. Did anyone celebrate big butts on women
prior to Sir Mixx-a-Lot's song in the 80's?
I don't think so. (Then again, my knowledge
of recent African-American culture is about
nil, so what do I know).
Anyway, the real problem here, like all
problems in films of this type, is that the
professional skaters in the tertiary cast roll
circles around the professional actors playing
skaters in the film. The idea that X and his
little band of friends could compete on the
same level as some of the other skate teams
in the climax of the film is so laughable that
even a novice like myself could see how absurd
it really looked.
The young cast here is cute and fairly
talented. Brandon T. Jackson as Junior is a
particular standout. But Chi McBride (who should
have insisted on better editing and several
rewrites) can do nothing with his character
that worked. And Mike Epps is wasted in a sideline
comedic role that has absolutely nothing to
do with the story (a homage to those aforementioned
70's films). And please don't get me started
on Nick Cannon. His performance of a minor character
here stinks up this film as much as his work
does in his starring roles.
"Roll Bounce" could have been something
really important, warm and wonderful. Instead
it skates on cliche and the charms of its young
cast.
Notes:
Also with Khleo Thomas, Charles Murphy,
Wayne Brady, and Tim Kazurinsky.
Score by Stanley Clarke. Lots of period
pop music is used with the majority of "white"
disco seeming to come from RSO label songs (Player,
Samantha Sang).
10% of the film's opening weekend grosses
were donated to Hurricane Katrina victims.
Filmed in and around Chicago.
Viewed in Austin in October 2005.
Report Card
Script: C-
Acting: A-
Cinematography\Lighting: B+
Special Effects\Make Up: B+
Music: A-
Final Grade: C
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