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Radio (2003)

"Radio" is a film that does everything perfectly. We know going in it is based on a true story and it is about a young, mentally challenged, African-American man who is adopted by a high school football team and becomes their greatest inspiration, their mascot in the best sense of the word.

Yes, we know that this is going to be about a "retarded" boy and as the film unfolds, we often brace ourselves for typical and disquieting moments, for times when Radio is going to be hurt, teased unmercifully or blatantly treated like shit. Amazingly, this never happens after one initial scene. The hardships that confront Radio in this movie are never harsh, never contrived for melodramatic effect and never unbearable. What we see here is a reflection of reality. What Radio faces is often difficult, but it is never overtly cruel or heartless. And this is refreshing. This is what makes the film work. If it were a bit more harsh, it might be a Lifetime Original Movie. If it were much more harsh, it could be heartbreaking and unwatchable.

But everything works here. The script by Mike Rich is perfect. It hits every note correctly. The direction by Michael Tollin may not be considered "masterful," but, in fact, it is. Tollin hits every note correctly as well. And his pacing is simply perfect. He directs the action scenes of the football games in the film with as much skill as he does the tender moments.

But the truly amazing thing about "Radio" is the cast. Cuba Gooding, Jr. may be playing a role that many might considered easy, but they are missing something. Gooding emotes more here with a look, a smile, or a tear than he does with his words. He makes us love Radio and easily see everything good within him that we also garner from his exterior actions presented by the script. And Ed Harris is amazing. Amazing. This role should grab him another Oscar nod but it probably wont because Harris, like Tom Hanks in "Apollo 13," plays a normal man, a guy who is not verbose, not overly intelligent, not particularly noticeable, a guy who is, let's face it, boring, who does extraordinary thing almost without thinking. (It's more likely Gooding would be nominated because his role is more "showy, thespian-ly speaking). Harris brings us a man of such goodness of heart that in the hands of a lesser actor, he would be pedantic, obvious and unbelievable. Harris is never any of these things. He has a truly exceptional moment with the young actress playing his daughter here where he tells a simple story that helps her (and us) understand his honest and beautiful motivations for helping Radio. It is THE moment in a film filled with moments. It is beautiful.

The young lady, by the way, is Sarah Drew (she looks like a young Annette O'Toole) and she is one of the many perfectly cast secondary characters in the film. In addition to the young face of Drew, there is the simply gorgeous youthful facade of Riley Smith, who plays the nemesis of Radio in the film. It is obvious Smith's character must have a change of heart and does in another wonderfully sublime and perfectly subtle moment of the film, much to the support of Harris and Gooding. Smith makes himself an actor to look for here.

And then there are some familiar faces that do some of their best work in ages. Debra Winger is wonderful in the role of Harris' understanding wife. She is only in the film a few times but appears at important moments of the film, at the times when Harris needs to see a supportive character the most. We simply love her because she understands her husband's need to help Radio without ever really questioning it. Any other actress would be there to play the understanding, long suffering wife. Winger is their to support Harris as Coach Jones and to help us to understand how it is that he can be so strong. Like Harris and Gooding, she can emote much with just a smile, a warm embrace.

Also of note is Alfre Woodard who plays the head of the high school. Since the film is set in 1976, it is nice to see the principal of the school where Harris works in the South portrayed by a black female. I'm sure, this is probably a reflection of reality. And while we are initially a bit surprised to see this, what is most wonderful about her performance is that the initial mild, second-guessing shock we experience about her character (it's odd to see a black, female principal in a film set in the South in the past) simply vanishes ten seconds after she is on the screen. We realize we were silly to even question that a black woman would be the principal of a high school in the South in 1976. Woodard, who plays a wonderful and wonderfully written character, simply becomes the principal of the school. Any naive notions we had about her race or her gender being questionable in a film set in 1976 is fleeting and forgotten almost immediately.

Chris Mulkey (from "Twin Peaks" fame) is nice and subtle as the "villain" here. Again, as with the rest of the film, there is no reason for anyone to go over the top and he doesn't. Mulkey's "bad guy" may be a typical high-pressure "football dad" but his problems with Radio never denigrate to racial slurs or rabid hatred. He's just a wrong-headed guy. Mulkey handles the character with finesse. And Brent Sexton is perfect as Harris co-worker and the school's basketball coach, who also adopts Radio. Again, Sexton has just the right amount of reservations and just the right amount of heart. Like everyone else in the film, he works through the subtlety of the script with faultless accuracy.

"Radio" is one of those films that most people will avoid because they either think it's a "Chick Flick" or a weepie that will require an endless supply of Kleenex. While it is emotional and it is often capable of inducing tears, "Radio" is also one of the most subtle and beautiful films you will ever see. You will walk out of this film believing in the kindness and goodness of the human race while not once feeling like you been manipulated into feeling this way due to a bit of Hollywood hokum.

Note:

The real Coach Jones and Radio appear in footage at the end of the film.

Co-produced by Brian Robbins (of TV's "Head of the Class") who is also a producer/director of films. He and Tollin have worked on over 20 TV and film productions together. Their next is the Robbins helmed "The Perfect Score" due in January, 2004.

Based on a 1996 "Sports Illustrated" article by Gary Smith.

Filmed in South Carolina including the town of Anderson where the events took place.

The working title of the film was "Someone to Lean On."

In real life in 1976, Radio was 17. Here, he is played by Gooding who is currently 34.

Gooding, Harris, Winger and Woodard are all Oscar nominees. Gooding is the only one to have actually won one. The film was initially to be released at a more Oscar friendly date, November 21st, but eventually Columbia bumped it back to October 24th.

Viewed in Austin in October 2003 with my roomie Amanda.

Report Card

Script: A+

Acting: A+

Cinematography\Lighting:
B

Special Effects\Make Up:
A+

Music:
A+

Final Grade: A+

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