Calendar of Events Whipping Post Reviews Events Coverage Film Maker Interviews Links Notes from Austin Lodgers Favorite Film Makers FILETHIRTEEN.COM
 

Open House (2004)

When your a independent filmmaker, shooting in digital and having limited acting and sound design resources at your disposal, you have to have a sense of your limitations. That last thing you would want to do in this situation is make a musical and try and do the songs live. It would be problematic to say the least and probably hopelessly bad, something you wouldn't want to unleash on an audience. But that's exactly what filmmaker Dan Mirvish does here. And he fails miserably. This film has so many problems with visuals and sound that it is nearly unwatchable.

Not to mention the bad songs. It is about 2/3rd of the way through the movie before the music seems to change and we get to hear something besides people singing "Do you love this house? I love this house." It drones on over and over for ages and gets so annoying.

The film is a convoluted mess about a couple played by hottie James Duval (who at least shows some skin here to keep us interested) and Kellie Martin (from TV's Down Syndrome uplifting downer "Life Goes On") who go househunting and enjoy having sex at open houses. The first house they look at is being presented by Anthony Rapp ("Dazed and Confused"). Meanwhile a jewel thief hides in the house they are looking at while a male/female cop team look for him. The cops are also having an affair.

But wait, there's more.

When the young couple go to a second house where Sally Kellerman is the realtor, they meet up with another couple. And in an even more confusing turn of events, Martin has supposedly once been involved with the male of that couple, played by Brandon Williams who initiated her to open house sex and petty theft. Confused. It's okay, it's really not important to keep up with the plot here. It's too fucking futile.

And if you think all of this is incomprehensible, wait until you get to the climactic third act. Things really get confusing and stupid at the end of this plot. Rapp's character does a turn around that will have you scratching your head so hard, you'll draw blood.

While the script is bad, the lighting design flawed, the camera work shoddy, the editing hackneyed, and the songs hardly more than one hook ditties that would be laughed off the stage at off-off-off Broadway, it is the singing that kills this film. Martin is awful. Duval is only enjoyable because he is so cute and so miscast. And the rest aren't worth mentioning except for a couple of exceptions.

Anthony Rapp, who has done plenty of singing on stage actually has a nice song at the end of the film that almost makes one a bit emotional. Rapp has a beautiful voice and somehow makes it work even at the end of this tapering piece of shit. And a mid-film song by Sally Kellerman, who uses her inability to carry a tune to her advantage, also makes for a nice moment. But overall this film is so terrible and so annoying, like fingernail on a chalkboard, that its hard to imagine anyone but a saint sitting though it without cringing.

Well, a saint or someone who wants to suck up to Mirvish because the want to get their film or script into Slamdance.

Note:

Also with Ann Magnuson.

The film features all singing done live on film.

At least the 12th film or TV show to have this title according to The Internet Movie Database.

Viewed in October 2004 as a part of the Austin Film Festival at the Dobie Theater.

Report Card

Script: F

Acting: D+

Cinematography\Lighting:
F

Special Effects\Make Up: F

Music:
F

Final Grade: F

And Help Support Filethirteen!

Get Your"Open House" Stuff...

Search:
Keywords:
In Association with Amazon.com

More of Lodger's reviews indexed alphabetically! Just click your favorite letter to go there.

a b c d e f g h i j k l m n o p q r s t u v w x y z

HOME


All contents of www.filethirteen.com are the property of the webmaster and the author of filethirteen.com and cannot be reproduced, copied, distributed, quoted or in any other way used without our written consent. For more details please e-mail us at  lodger@filethirteen.com  Links to the site are appreciated and do not require permission. Informing us of your link to our site may result in gratitude and heartfelt thanks.