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"College
is bullshit. College is a search engine. College
is Goggle." - James Urbaniak as Alex Scarvey
In many ways, "The Last Romantic" is like many
other comedies created by young males in their
early 20's. But this happens to be one of the
good ones. There's something very innocent,
honest and hopeful that makes it stand out in
the crowd.
The focus here is on Calvin Wizzig, an idiotic,
socially inept, obviously ignorant young man
who comes to New York to be a poet and get published.
Played charmingly by Adam Nee, who made this
film with his brother Aaron, Calvin would seem
annoying and retarded in the hands of a less
talented actor. He is that ignorant. He is a
poet who hasn't written anything and expects
to get published immediately upon his arrival.
This idiotic idea is treated as absurdism by
the film but it can seem a little trivial and
trite at times.
Calvin is ignored by his friend, an artist named
Francis (Ben Brock), who we later learn has
a penchant for drawing penises on horseback.
With nowhere to go, Calvin drifts through the
city and meets up with different kooky women
in sort of a young heterosexual male's fantasy
of what wandering through New York must be.
But "The Last Romantic" isn't about sex or even
love really.
The film tries different artistic approaches
at times that actually work even if they do
seem somewhat sophomoric at times. For example,
when Calvin meets up with one woman, who is
very erotic and smart and speaks with an European
accent, the film always turns to black and white.
Calvin comes to her apartment and when the POV
is on him looking at her, the film is black
and white, when the POV is upon him in the hallway,
the film is color. When he comes into the apartment,
the film returns to black and white. In another
interesting and cool moment in the film, a black
woman sings a song acapella to Calvin which
echoes what he is going through while he waits
on an elevator. It's all very artsy. And even
though it has been done before, this film somehow
makes it charming and unique and fresh.
Nee's performance certainly is winning. We like
Calvin and we become engrossed in his heterosexual
absurdist romp through the Big Apple. The secondary
cast is quite good and it's always awesome to
see James Urbaniak in a film.
"The Last Romantic" ends with a killer and poetic
moment that perfectly encapsulates the theme
of wanderlust, confusion, alienation, and bewilderment
that echo throughout the film. "Why do people
write their names on things?" Calvin asks when
he looks at some graffiti in the New York subway.
It is an innocent question. By the end of the
film, after his brush with the absurdity of
the real world, out protagonist knows the answer.
And so do we.
Notes:
The film's credits says that it is "Based on
the book 'The Girl on the Train' by Calvin Wizzig."
This is an artist's conceit, an inside joke
the audience should get by the end of the film.
Adam (who has done some episodic TV), in addition
to starring, also co-wrote, co-directed, co-edited
and co-produced the film.
Aaron directed, co-wrote, co-produced, co-edited
and shot the film.
Anne-Marie Nee helped shoot the film and was
a second unit director while John Nee is credited
as Executive Producer.
Report Card
Script:
A-
Acting:
A
Cinematography\Lighting:
A+
Special
Effects\Make Up: A+
Music:
A
Final
Grade: A
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