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Kicking and Screaming (2005)

If you've seen "The Mighty Ducks," you've seen "Kicking and Screaming." Okay, I've never seen "The Mighty Ducks," but I still feel like I've seen "Kicking and Screaming" plenty of times before. It's got every typical cliche from every tweener, underdog sports film since the original "Bad News Bears" within it's frames. This cinematic regurgitation is so bad that even the comic genius of Will Ferrell cannot save it.

To be sure Ferrell tries everything he can think of. But he's saddled with a horrible script, a lackluster director, kid co-stars that have apparently had their personalities erased by too much electronic media culture and Ritalin, and two older co-stars that are lost in the muddle.

Robert Duvall is an embarrassment to entertainment here. I mean he really sucks in this movie. I know Duvall is a great actor. My God, he was amazing as recently as just a few years ago in "The Apostle." But he is stymied here. Mired in the shit that is this film, Duvall seems like he's more ready for a pair of Depends than to be an actor you can depend upon.

And what the fuck is up with putting Mike Ditka in this film? Whew, can you smell that on me? That's the smell of Ditka's shitty performance. After two showers, a load of cologne, some underarm deodorant and two packs of Dentyne Ice you can still smell his shitty performance on me. The idea of putting Ditka in this film stinks as much as his performance does. What the fuck is up? Why would anyone consider this a good idea? Does Ditka have some pictures of a studio exec fucking a donkey? Or is it the other way around? Does some exec have pictures of Ditka fucking a donkey? I can't imagine that Ditka wanted to be in this crap. Then again, fame is a funny thing. Even being in this garbage is better than sitting at home and not being famous. Isn't it? Just ask Ferrell. Hollywood paychecks are nice.

The last three minutes of "Kicking and Screaming" are okay. You just have to sit through 83 minutes of putrid cinematic diarrhea to get to them. In the climax of the film, as Ferrell's ragtag band of tweener, lame-ass, 12-year-old- soccer-kids-made-up-of-wannabee-actors rise to the occasion and win the big game, you almost think you might like this film. Then Duvall and Ditka come back for the "epilogue" and you remember what crap it has been. The best part of the film is that this ending makes Ferrell look like a genius actor. In the body of the film, he throws out all this random dialogue that somehow comes back to be used as advice to help the kids win the game at the end. It makes you think that Ferrell must be a pretty good actor to make all his weird dialogue seem like wild ad-libs off the top of his head during the course of the film - the set-up for this climax.

Of course, it could also be that the scripters realized that what Ferrell had been ad-libbing on the set was far better than the climax that they had written so they junked it and used his ideas. Whatever, it's far too little, too late. The feel-good finale of the film really just makes you feel all empty and hollow inside.

You'll be kicking yourself after you pay good money to see this film. And screaming at the pimply face kid in the box office at the local megaplex to give you your money back.

Notes:

Also with Laura Kightlinger, David Bowe and a cameo by Alex Borstein.

Judd Apatow is a producer and one of the soccer kids wears a jersey that says Apatow on the back.

Directed by Jesse Dylan, bob Dylan's son, who also directed "How High" and "American Wedding"

The film was known as "Soccer Dads" during production - a much better title.

Viewed in Austin in May 2005.

Report Card

Script: F

Acting:
F

Cinematography\Lighting:
C

Special Effects\Make Up:
C

Music:
D

Final Grade: F

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