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Julie Johnson (2001)

Courtney Love and Lili Taylor as lovers; You bet I'm in. Not that I get off on hot lesbian sex like straight guys. But to see Love and Lili together, that's one movie I want to see. Sadly, "Julie Johnson" is barely that movie.

The film starts with the girls married to jerks. Living in Jersey, their husbands are misogynist cops. Oh, luckily they aren't complete assholes. They're just realistic assholes. When Taylor's titular "Julie" throws her husband out, Love leaves hers and the two women movie in together with Julie's kids.

Julie wants to go back to college. Lately she's been getting into science, reading magazines and watching science shows on TV and it has captivated her. I don't mean she's interested in it. She gets obsessive. She goes to college, where professor Spalding Grey is fascinated by her intuitive skills, and begins to take on a hefty course load.

Back at home, she falls in love with Love and struggles with her children, who have plenty of issues dealing with Julie's new lifestyle. She tries to hide her newfound sexuality from her children but rumors persist in the neighborhood. One bad thing about this film is that it paints suburban New Jerseyites as being more homophobic than a redneck Southern Good-Ole-Boy. It doesn't ring true that they wouldn't have at least one friend who is accepting. Anyway, through it all, Julie remains strong, courageous and human. Her love scenes with Love are sweet and tender but ultimately disappointing for some viewers as they do not delve deeply enough into their sexual relationship. Mostly here it is kissing and talking, hmmm...

"Julie Johnson" is a difficult movie for some because it doesn't end with a nice, neat little bow on top. This movie, while technically adept, has a sort of chilling coldness to it, like science itself sometimes has. It tries to be real and human and important and this often translates into disappointing and confused and self-conscious.

Note:

Directed by Bob Gosse. Co-written by Grosse and Wendy Hammond. Based on Hammond's play.

Several "female" singers appear on the soundtrack. Several Liz Phair songs are used.

 

Report Card

Script: B+

Acting: A+

Cinematography\Lighting: A

Special Effects\Make Up:
A-

Music: A

Final Grade: B+

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