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In
and Out (1997)
Amusing tale of a high school teacher who is outed
on National TV when a former student turned actor mentions
him as an inspiration for playing a gay role on the
Oscar telecast. This was inspired by Tom Hanks mentioning
a teacher of his on the Oscars when he won for "Philadelphia."
Of course, Tom had permission to do so. This time the
actor does it on a whim and the teacher isn't gay. Or,
at least, he thinks he isn't. After all, he's about
to marry his fiance of 3 years.
Openly gay scripter Paul Rudnick, who has written several
"straight" films and the hilarious "Jeffrey," writes
and amusing and sweet script here that often goes a
bit astray but inevitably warms our hearts. The first
act of the film, the set-up gets us into the story and
has a few amusing moments. The second act is a real
winner that is as hilarious as any film I've seen in
a year. The third and final part of the film may wallow
in a bit of old time corn syrup, but it comes across
as well intentioned and sweet. We like what the film
does. It may seem to borrow from "To Wong Foo," but
that's okay. We easily forgive it. He also makes way
too many Barbra Striesand jokes but he eventually has
a punch line for this that is simply side-splitting.
There is a scene, almost directly in the center of
the film that is both hilarious and ground-breaking
for a mainstream Hollywood film. It's really amazing.
I don't want to tell you what happens, because the film's
plot depends on you not knowing what is going to happen
next, whether the teacher is gay or not. But this moment
is a wallop. It hits us like a ton of bricks. It's a
moment in film that will be remembered for a long time.
Kevin Kline is perfect as the outed teacher. He has
just the right amount of manliness and sensitivity to
make us question his sexual orientation throughout the
film. Plus he has a spectacular supporting cast. Debbie
Reynolds and Wilford Brimley play his parent. They have
just the right amount of loving qualities mixed with
parental pressure. Reynolds get some really amusing
lines. Tom Sellick has just the right amount of self-centered
egotism and underlying sentimentality to carry out his
role as a TV journalist who admits openly to being gay.
Joan Cusack has her best role in ages as Kline's fiance.
She wisely overplays her part only when it is called
for and her goofy quirkiness suits the plot twists well.
Matt Dillion has only a small part as the actor who
outs Kline but he really makes the most of it. Bob Newhart
plays the wishy- washy principal of Kline's school who
stutters and vacillates perfectly for his characters
personality. Plus there are cameos by Whoopi Goldberg
and Glenn Close.
Director Frank Oz does a simply marvellous job of
letting the film evolve. his laid-back approach to the
material suits the piece well and we are charmed by
it's simplicity and warmth. He takes a few missteps
here and there but that is mainly when Rudnick's script
falters. For example, there a scene where clips are
shown from Dillion's film, which wins him the Oscar
is shown on the telecast. These scenes border on farce
and might actually work until a stupid joke is made
of the film's final scene. It goes to far. The rest
of the film is farce so I don't see why this should
be. But, overall, Rudnick does a great job here and
so does Oz and so does the cast.. This may be the best
gay mainstream film that 1997 has to offer.
Note:
Music by Marc Shaiman.
(Review written in 1997)
Report
Card
Script:
B+
Acting: A
Cinematography\Lighting: C
Special Effects\Make Up: C
Music:
A
Final
Grade: B+
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