The Jack here is Jack Nance, perhaps the quirkiest
character actor to exist in the last 25 years. Nance
is certainly best known for his appearances in David
Lynch's film and TV work. He will almost assuredly be
remembered by most as the skyscraper-haired title character
of Lynch's "Eraserhead," or that characters exact opposite,
the sober and naive Pete Martel in Lynch's groundbreaking
TV series, "Twin Peaks."
This documentary features clips of Jack in numerous
film roles. It also features interviews with those who
knew and loved him including Lynch, actress Catherine
Coulson ("Twin Peaks'" Log Lady and Nance's first wife),
musician Brantley Kearns, director Bob Logan ("Meatballs
4") and also the director of "Ticks and Bruises," some
video Nance was working on close to his death. . Many
of Nance's brothers are also interviewed for the film.
Oft times the film is segmented, rather drearily,
by title cards of Bible scripture that seems to relate
to Nance's life. This effect is used because, early
in the film, it is mentioned that Nance was quite knowledgeable
about the Bible and quoted it of ten, especially in
his early days. This effect generally only serves to
make the rather slowly paced film seem longer.
The early days of Nance are touched on only briefly.
His college life and early theatrical career get a bit
of attention but it is Nance's first appearances in
film, including an odd performance art piece called
"The Doh Dah Gang" which begin to really delve into
Nance as an actor and person. We are perhaps 45 minutes
or so into this 100+ minute film before his groundbreaking
performance in "Eraserhead" is really explored. Here
is where Nance really begins to come to life for us.
Lynch's interviews and those from the Lynch circle (Coulson,
Charlotte Stewart, Dennis Hopper) are particularly interesting.
Nance's wallowing in alcoholism and his subsequent
sobriety come next. We learn that it was Hopper, who
met Nance on the set of "Blue Velvet", that actually
flew Nance to LA and got him set up in a clinic which
helped him "dry out."
Nance's work on "Twin Peaks" is discussed and the
film also uses a recorded audio interview with Nance
(for the Lynch fanzine "Wrapped in Plastic") to allow
the actor to occassionally speak for himself. What is
sad here is the absolute lack of video footage of Nance
being interviewed. There is none. This is a real shame.
Nance died a few years ago and his final departure
into alcoholism and illness is also discussed. The filmmakers
include several poignant and painful interviews with
those who knew and loved Nance to show what a remarkable
effect he had on his friends. It is touching and sad.
Jack Nance is an American icon. His appearance
as Henry in "Eraserhead" in 1977 assures him a place
in film history for eternity. Like Max Schreck from
"Noseferatu," Nance's image, with hair towering and
eyes agape from "Eraserhead" will not be quieted. He
will become more a cinematic God as time progresses.
"I Don't Know Jack" is just the first step in solidifying
his remarkable screen presence. It is doubtful that
we will have to wait years for a biopic of Nance, his
story is riveting, the stuff of legends. Until then,
this video biography of the man serves him quite well.
Note:
At the screening of the film I attended, at the
Alamo Drafthouse, as part of the Austin Film Society's
Texas documentary Tour, the director, Chris Leavens,
and one of the producers of the film, Richard Greene,
discussed the theft of several tapes by one of the females
interviewed. A $2,000 ransom was paid to retrieve the
tapes and several of the tape boxes were returned containing
only brown rice. The rough cut of the film was returned,
however, and the final cut comes from this.
Nance spent some time as a youth in Texas.
At Cannes, in 2001, when Lynch was showing "Mullholland
Drive" (he won Best Director), the producers ask him
to put "David Lynch Presents" on the film. He agreed.
Presented in Austin by the Austin Film Society,
UT Department of RTF, and SXSW, among others.
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