Home Movie (2002)
Documentarian Chris Smith seems to have a knack
for finding really interesting and quirky common folk.
His epic of a few years ago, “American Movie,” paved
the way for him to explore even more unique terrain
in “Home Movie.” Here, Smith explores not old 8mm reels
of vacations and Christmases but rather the uniquely
uncommon homes of 5 diverse individuals. Get it? “Home
Movie” because it’s about people’s houses.
Here’s a look at the five:
Louisiana – A guy lives on a house, floating on
the swamps. Smith, of course, can’t just show the houses.
Part of the characteristics of the house is the owner
and with domiciles as rare as these, we expect the owners
to be, at the very least, quirky. The guy here also
runs an alligator farm.
Illinois – A real interesting gadget-obsessed guy
creates a house full of electronic gadgets. A sort of
oddball’s “Home of the Future” for someone whose addicted
to old “Popular Mechanics” magazine. In addition to
making a robot that the guy takes on promotional tours
and to parties, there is also a ski jump over the roof,
a revolving living room, a recliner that moves like
a go-cart and a toilet hidden under movable topiary.
This guy also has a young woman friend whom he allows
to hang out as Smith films. She wants to be an actress
or a psychic but will probably remain a truck stop waitress.
Kansas – A couple live in a missile silo they have
turned into a home. Opting to take a place once used
for destruction and war and turn it into a warm, loving
home, the hippie couple here turn it into a peaceful
complex with a greenhouse in addition to the underground
dwellings.
California – A couple obsessed with cats, who make
their living taking cutesy pictures of cats for magazines
and calendars, have remodeled their house to be more
“fun” for the felines. The most humdrum of the 5 stories.
Hawaii – The most cool of all the houses, a treehouse
in the rainforest. Surprisingly, perhaps, it is an older
lady who lives her. She looks horrible. She’s had some
bad plastic surgery years ago – or so it seems. But
she’s a really unique and interesting person and getting
to know her is the best treat the film has in store
for us. I won’t ruin the nifty little surprises this
section has in store for the audience.
Running only 70 minutes, “Home Movie” is still
a jumbled mess. Smith intercuts the stories with only
the most threadbare of themes to work around. Also,
a couple of these stories, like the folks in the silo
and the electronic gadget home, seem very familiar to
me, as if I have seen these homes before on PBS or some
other series. Still, Smith’s eclectic blend of people
and their domiciles is intriguing. It just all seems,
well, very lazy in its approach. Maybe Smith deserved
a break after the hype of his last film. He takes one
here.
Note:
Seen
at SXSW 2002.
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Report
Card
Content:
B-
Completeness: C
Cinematography\Lighting: C-
Special Effects\Make Up: C
Music: C
Final
Grade: C
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