Girl
Next Door (2000)
See a Porn
Star get Breast Implants! See a Porn Star at Work and
at Play! Go Behind the Scenes to a Live Internet Sex
Show with Two Girls! Go on the Set of a Hardcore Adult
Film!
That's
what the poster for "Girl Next Door" might say if this
film were being marketed like a sleazy 1960 Pussycat
Theater release. The days of exploitations aren't really
over. They're just tarted up as serious documentaries
now. Or at least in this case.
Still,
"Girl Next Door" can be a fascinating insight into the
world of a porno star. Stacy Valentine must be one of
the best to profile; She is buxom (thanks to huge implants),
blonde and very pretty. She fucks and sucks well, and
says so proudly. She even brags about her ability to
perform oral sex on women with delight. Valentine is
the perfect porn actress. She likes to have sex and
she makes a lot of money doing it.
Sounds
like a "must see" right guys? There must be lotsa nudity
and lotsa sex in the film. Bet this is like being on
a real porno set. Bet it's sexy as hell. Right? Wrong.
"Girl Next
Door's" biggest problem (for the men in the audience)
is that it's directed by a woman, Christine Fugate ("Tobacco
Blues"). Fugate takes every chance she can get to crack
the veneer Valentine has so shoddily put up around her
facade. Valentine is obviously far too insecure to imagine.
She has plastic surgery constantly. She is "paranoid"
about parts of her body. She can't trust a man long
enough to have a relationship with one. Her mother is
loving, but naive. Her father (long out of her life)
was abusive. Her ex-husband was abusive. Valentine's
problems soon become so glaringly obvious to us that
we can't help but feel sorry for her. She's a victim,
but a very subtle one.
Fugate
also shows Valentine to not only be a porno actress,
but a whore as well. This is surprising, daring, and,
again, troubling. Valentine sleeps with a wealthy man
for money. We're not talking about a date where he buys
her nice stuff. Nope. She leaves, she fucks him, she
comes back with several thousand dollars in hundred
dollar bills. Valentine pours through them as she lays
in bed. It is obvious, despite her false bravado, that
she is lost - and ashamed. She justifies all she does
so easily, with such trite platitudes. And the veneer
cracks yet again.
Some of
the most repulsive moments I have ever witnessed on
film come from the scenes where Valentine has pointless
plastic surgery done. Fugate shows this unblinkingly,
the video camera right in the operating room. Valentine
has HUGE silicon implants removed and a smaller ones
put in. She has liposuction. She has collegen injected
into her lips. It's revolting. Valentine talks about
plastic surgery as if it were nothing - well, was if
it were God's greatest invention. And again the veneer
cracks.
Do not
misunderstand me. I liked this film a lot. I found it
very interesting. I felt sorry for Valentine and I wanted
to see her find some happiness. But alas, there seems
to be none for her. Fugate gets remarkable footage and
interesting interviews. she is very adept at showing
us the real story going on here without being obvious
or blatant or contrived. Sure, the plastic surgery segments
are pretty blatant, but it is the underlying message
here that really rings out. Look at what Valentine's
insecurities have forced her to endure! Fugate doesn't
condemn Valentine nor does she glorify her. She simply
uses the camera to relay the information, which Valentine
gives amazingly free and easily. What is most astounding
about the film is that, for such an insecure person,
Valentine exposes herself to us with ease. The nakedness
of her gorgeous body is revealed in the film, but it
is the nakedness of her scarred and needy soul that
we more often get to glimpse. Fugate gets in the nooks
and crevices of this story (oh - that was not a pun).
Truly, she gets to the heart of the story. Valentine
offers herself up so freely. It is an awesome intimate
portrait.
The thing
is, I think this film is sort of, very wisely, being
marketed to men, as a "intimate" look at a porn star
at work. Her "real life." I think most men expect to
watch the film with a raging hard-on.
I don't
think most men know what they're in for.
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