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Dickie Roberts: Former Child Star (2003)

What can you say? Either you love David Spade or you despise him. Like myriad of other obnoxious pseudo-celebrities, he may get on your nerves and seeing his visage may be as painful as fingers on a chalkboard to you. But for me, I think he's cute. He's skinny, white, pale wan and witty. Geez, hard to believe I like him, isn't it?

The power-that-be, in this case Paramount, have a ton of dough riding on Spade and his new flick about a grown-up has- been, and their trying to recoup there losses. Chances are, they were on a drunken bender after watching too many re-runs of "Just Shoot Me" on UPN when they greenlit the damn movie anyway. (Hey Bob, you have to take a shot every time the laugh track is used. That's why they call this game "Just Shoot-er Me"). Paramount execs, with a hellacious hangover, a Coke dealer on auto-dial, and a screening of Richard Linklater's "School of Rock" to attend, didn't have time to figure out a marketing campaign for a piddily David Spade movie. Their idea? Sell it as a comedy! I can hear that exec now, "What the fuck! Throw in some quick cuts a Spade look-alike falling down two or three times, slap a few alt- pop songs on it and call it a trailer. Put the film out in September and make sure the fucking thing gets a PG-13. Now get the fuck out of my office, okay. My acupuncturist is on vacation and I'm stressing like the Golden Gate in a windstorm."

Well, "Dickie Roberts: Former Child Star" is not a comedy. There's hardly anything funny at all in the damn thing even though Spade tries like a trooper. Saddled with a third-rate script by Spade's "SNL" alum Fred Wolf, the Thin White Dick wisely decides to blow off the comedy and concentrate on something worth salvaging in the script: Its heart. Yep, "Dickie Roberts: Former Child Star" is a damn sweet movie.

Spade must have done something right because he is given his perfect chemical reactor, Mary McCormack, to work with. Looking like the perfect suburban wifey and exuding as much grace, spirit and lusciousness as an Olympic runner in slow- mo, McCormack is exactly the type of personality Spade needs to play of off. He looks cute with her. He seems sweet with her. His wit seems funny and smart and kindhearted with her. She completes him and the pairing of these two makes for a great film. Wolf's script comes to life when Spade and McCormack breath into it, mouth-to-mouth, heart to heart. All is right with the world.

(By the way, doesn't McCormack seem a much better choice to play the role of Samantha in the big screen version of "Bewitched?" Sure, I love Nicole Kidman as much as the next gay guy, but McCormack not only looks Elizabeth Montgomery's double, she has the same heart and comedic talent. And what the fuck is the idea of giving the role of Darren to Jim Carrey? Everyone in the world knows that role belongs to Crispin Glover. Now that would be a movie! McCormack as Samantha and Glover as Darren! Throw in Daryl Hammond as Larry Tate, Shirley McLaine as Endora, Dakota Fanning as Tabitha, Rupert Everett as Uncle Arthur, Cheri Oteri as Esmerelda. Boom! You got a movie!)

Anyway... back to "Dickie." What doesn't work is... well, everything else besides Spade and McCormack in the film. The cameos from actual former child stars, like Barry Williams, Danny Bonaduce, Leif Garrett, Dustin Diamond, Gary Coleman and a tens of tens of others just aren't funny. They are sad. Only Garrett pulls out of this film with his self-respect intact. It's probably the best performance he's given in 20 years. (Then again, it's his probably his only performance in 20 years, unless you count his "True Hollywood Story.")

But the saddest thing for me in this film was the appearance of Corey Haim. Almost hidden among the plethora of child stars who sing a rip-off of "We are the World" at the end credits here, Haim is, sadly, too big to remain anonymous. Standing next to Corey Feldman and looking fatter than Jerry Lewis, Haim looks ill and near-death. Apparently unable to purchase cocaine any longer, not to mention street-grade Fen- Fen, Haim is a blowfish waiting to pop. It is a disgusting moment when one recognizes him here. The kind of stuff that makes 40 year old gay guys cry.

As for the "new" child stars in the film, they are just awful. The little girl here (Jenna Boyd) is an annoying amateur. The young boy (Scott Terra) does little more than spending the entire 90 minutes trying not to crack up when he shares the screen with Spade.

Like the audience, he succeeds easily.

Note:

The film is bookended with segments that make it appear to be an episode of "The E! True Hollywood Story."

Also with Doris Roberts, Jon Lovitz, Alyssa Milano, Craig Bierko, Bobby Slaten, Hal Sparks, Edie McClurg, and Rachael Dratch.

Milano was also a child star.

Lovitz and Dratch also appeared on "SNL" as did Spade and Wolf.

Roberts plays Dickie's mother but does not use her real first name.

Wolf plays a small role.

Cameos as themselves by Willie Aames, Fred Berry, Todd Bridges, Gary Coleman, Jeff Conway, Tony Dow, Florence Henderson, Christopher Knight, Emmanuel Lewis, Barry Livingston, Mike Lookingland, Maureen McCormick, Eddie Mekka, Jeremy Miller, Erin Moran, Jay North, Ron Pallilo, Butch Patrick, Paul Peterson, Haywood Nelson, Adam Rich, Rodney Allen Rippy, Marion Ross, Ernest Thomas, Charlene Tilton, Dick Van Patton in addition to others mentioned above. (Although I would be hard pressed to call a few of these "child" stars).

Rob Reiner plays himself but has a significant role.

Wolf and Adam Sandler are producers. Studio guitarist Waddy Watchel is credited with some score music.

Viewed in Austin in September 2003.

Report Card

Script: D+

Acting: C

Cinematography\Lighting:
C

Special Effects\Make Up:
C+

Music:
C-

Final Grade: C

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