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D.E.B.S. (2005)

"Spy Kids" started the tweener genre of teenage sci-fi espionage movies. The franchised flourished sprouting two sequels (so far) as well as spawning copycat franchise "Agent Cody Banks" and films like "Thunderbirds." "D.E.B.S." seems like another one of those films, this time involving young, female, college freshmen who have been selected for a secret counter-terrorism group. The criteria for being selected, which is explained in the start of the film (in a segment that comes off like a promotional trailer), is a hidden test in the college S.A.T.'s. Girls who pass this test, one they don't even know they are taking, are recruited to become D.E.B.S.

Now, all this would make a fine and dandy little teeny-bopper film. And, in fact, this does make a fine and dandy teeny- booper film. But "D.E.B.S." has a lesbian love story in it that makes the whole film jump over boundaries and borders in fresh and exciting ways. For all those moms and dads that want to endorse diversity, and for all those teenagers who have open minds and don't really give a darn about such things (which is 99% of them), "D.E.B.S." is a great film.

Granted, one group it doesn't really seem to be for is lesbians. There are no real lesbians here; well, except for what we normally call the "lipstick" variety. Gay-positive and gay-friendly, the film also has not a single bull-dyke type character in it (unless you count Holland Taylor, who plays a heterosexual here). Sure, it is a movie and stereotypes are stereotypes for a reason. But I could see lesbians being kinda put off by this.

Still, this film is incredibly positive and poignant. The fact that a lesbian relationship between two young woman, one of whom is going through the experience of "figuring herself out and undergoing the process of "coming out," is simply monumental. Written and directed by Angela Robinson, the film is obviously heartfelt and well-intentioned. I don't know Ms. Robinson's personal orientation, but she certainly hits all the right notes here. As a gay man, I sympathized with the young female protagonist trying to figure out her sexuality while confronting the establishment of work, school as well as friends, boyfriend and society in general. Yes, it's standard fare for gay films, but the fact that this is a lesbian story and one that is aimed at a general audience is nothing short of momentous. This is an important gay film.

And just in case you guys out there don't think you would enjoy a lesbian love story, there are two cute young male actors as well as diva Holland Taylor for us to enjoy. Hottie Jimmi Simpson is simply adorable as the cute little villain with a heart of gold who tries to help his lesbian friend, the evil Lucy Diamond (Jordanna Brewster doing a great impersonation of a young Demi Moore), get a date. For those who like their men a little beefier, there's young Adonis-like Geoff Stults (remember when agents were smart enough to get their clients with horrible last names to change them) in a supporting role as well.

As the D.E.B.S., Sara Foster (composer David Foster's daughter) is cute as the young lesbian coming out and does a wonderful job portraying her character, Meagan Good is fun as the hottie bitch Max, Devon Aoki ("2 Fast 2 Furious" and "Sin City") hams it up as a wanna be Eurotrash French girl, and Jill Ritchie (Kid Rock's sister and the only holdover from the short film) looks ugly next to the other 3 girls. All these women, with the exception of Aoki, do a respectable job and help to make the film work immensely well.

Again, "D.E.B.S." is a monumental and important gay film. And it's a lot of fun. Don't miss it.

Notes:

Also with Michael Clarke Duncan.

Based on Robinson's 2003 short of the same name.

Ritchie and Simpson will be in the new "Herbie" (The Love Bug) movie this summer with Lindsay Lohan, which Robinson just happens to be directing.

Robinson won an award for the film at Berlin.

The film was shown on opening night of the Agliff (Austin Gay and Lesbian International Film Festival) in August of 2004 but I couldn't see it because it was shown at the same time as "Eating Out." For the first time, in 2004, Agliff split its opening night fare into two theaters, one movie aimed at men and the other at women, and showed these two films only that one time during the festival. So I had to pick one and missed "D.E.B.S."

The film debuted at Sundance and was picked up by Samuel Goldwyn Films who didn't have a clue how to market and promote it and dumped it in New York and L.A. arthouses in May of 2005 with little fanfare. When it fared poorly, they pulled the release in the rest of the country and opted to go to DVD in June of 2005.

Viewed in April 2005 on a VHS screener provided by the distributor and the Dobie Theater.

Report Card

Script: A-

Acting:
A-

Cinematography\Lighting:
B+

Special Effects\Make Up:
A+

Music:
C

Final Grade: A-

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