FILETHIRTEEN.COM Lodgers Favorite Film Makers Notes from Austin Links Film Maker Interviews Events Coverage Reviews Whipping Post Calendar of Events
icon
 

Chocolat (2000)

If you blindfolded me then gave me a piece of a Hershey bar and a piece of a Nestles bar, I could tell you which was which. I'm that kind of a guy. I like chocolate a lot and eat it often. I like movies too; that's why when I saw "Chocolat," I could tell what was about to happen next. It's very formulaic. Luckily the charm of the cast and the talent of all involved help to smooth it out some. Mirimax has pretty much just unleashed the film at holiday time and are hoping for the best. In many ways, the film is really just a 50 cent candy bar tarted up in the Godiva wrapper that is the media conglomerate - and the talent of the cast.

Here's the familiar premise: "Spiritual/mystical" type moves into a provincial small town. He/she offers up something that is usually considered an evil (i.e. open sexuality, drugs, alcohol, radical thought, etc...) The gentry are good folk but perhaps a bit closed minded yet easily swayed. Some "important" person in the community, under the guise of "morality" sees that the new townsperson is having a supposed "negative" impact on the town which he/she feels power over and sets out to make times tough for the mystical barbarosa. Some members of the town aren't so easily swayed, of course, and see that the new member of the community has something to offer. Eventually the "important" member of the town goes too far nearly causing serious danger to people. Soon after, this zealot indulges in the "vice" supposedly at play here. After this, he/she realizes the error of his/her ways and accepts the new person and repents. And everyone is able to live peacefully together.

Sounds pretty familiar right. This storyline has been trotted out numerous times by Hollywood. But here the film has some unique twists in that the "evil" is chocolate. That's seems like pretty harmless stuff yet it has just enough decadence attached to it to be plausible. Also, the script by Robert Nelson Jacobs (based on a novel by Joanne Harris) is pretty subtle. Only occassionally does one of the actors in the piece threaten to go a bit to far over-the-top. Therefore, everything pans out nicely.

In "Chocolat," Juliette Binoche is the mystic and Alfred Molina her myopic adversary. Binoche enlists townsfolk Judi Dench, Lena Olin and John Wood on her side while Carrie Ann Moss and son eventually come round. Molina, meanwhile, only has the dimwitted abusive husband played by Peter Stormare and the innocent town priest played by Hugh O'Conor to aid him in his toils.

Molina is one of my favorite actors but he continually gets cast in frumpy "bad guy" roles that offer him almost nothing new to do. Here, his Comte de Reynaud is not quite at the level of his Snidley Whiplash in "Dudley Do Right," but it gets too close at times. When is someone going to give this man an interesting role he can sink his teeth into?

Director Lasse Hallstrom has made a name for himself with foreign and then American films that have garnered much critical support while remaining just above a cult level at the box office. His "My Life as a Dog" and "Gilbert Grape" have earned him the respect of astute film goers but I doubt "Chocolat" will live up to most of their expectations. It is just a bit too slight. And with the film bouncing around between French and English language here and most of the actors of a cult/foreign status, I don't see how this one can break any new ground for him. It does, however, keep him at an even keel, a plateau rather than a misstep.

Yes, the charm of the film will indeed make it work for most of us. It's just nice enough to allow us accept it. It's good to see talents like Molina, Binoche and Dench get a chance at a film that isn't too "arty" or too "classical." And the familiarity doesn't breed contempt as much as it lulls and placates us.

Of course, the film should hope to win over a new audience, namely, those who are wary of art films, foreign casts, and the like. Those folks could find a film of that ilk which they can enjoy. If only Mirimax could find a way to get their butts in the seats. Calling the film "Chocolat" won't do it. The French spelling put-off most mainstream customers. Maybe they need to put Johnny Depp's picture a little more prominently on the poster and ad. Or give out free candy bars at the box office. Hershey's or Nestles?

Report Card

Script: B-

Acting: B+

Cinematography\Lighting: A

Special Effects\Make Up: A+

Music:
A-

Final Grade: B-

Get Your "Chocolat " Stuff:

SOUNDTRACK

BOOK

Check Out filethirteen's POSTER store!

 


More of Lodger's reviews indexed alphabetically! Just click your favorite letter to go there.

a b c d e f g h i j k l m n o p q r s t u v w x y z

HOME


In Association with:

icon

Posters From!

Please Visit icon

All contents of www.filethirteen.com are the property of the webmaster and the author of filethirteen.com and cannot be reproduced, copied, distributed, quoted or in any other way used without our written consent. For more details please e-mail us at  lodger@filethirteen.com  Links to the site are appreciated and do not require permission. Informing us of your link to our site may result in gratitude and heartfelt thanks.